Rather than keeping to his subjects of considerable expertise, art reviews and kvetching about the ethical quagmire museums have become, Michael Kimmelman weighs in on the debate about historical memory, surviving Franco-era monuments and restitution for victims of the dictatorship. He takes the Right-wing line and falls into the trap of moral equivalence. It's revelatory that he chooses to interview Blas Pinar, head of a fascist hard-line group, and then to pretend to objectivity he also speaks to the author of the brilliant book "Memory and Amnesia of the Spanish Civil War," Paloma Aguilar. I did not know that like me she is in her forties and the grandchild of a Republican. So I did learn something, besides the fact that Kimmelman is right-wing of course. There are so many objectionable things in this article that I don't know where to begin. Unearth the past and then erase it, Kimmelman sanctimoniusly intones, but what about the erasures symbolic and literal carried out by Franco from the inception of his coup in July 1936 until his death in 1975. As Kimmelman himself notes it's closest to "don't ask don't tell."
Why is it so difficult for many to grasp that for many of us it is extremely problematic (to use understatement) to broker a transition to democracy that leaves state terror, genocide and literally mass graves buried? Why is it so difficult for many to understand that many question the oft-invoked excuse for refusal to discuss what remains to be done which is that doing so will create social upheaval. I know it's easy for my generation to judge my parents' generation and that I was a child so I did not directly experience the worst part of the dictatorship, nor did I grasp the fear that gripped the country after Franco died and it was unclear what type of a regime would emerge. Most crucially, I was only 14 when the attempted military coup of 1981 happened and since I didn't live through the worst of Franco's regime, could not understand the horror and terror that must have been felt by people thinking that the repression would be reinstated. But now it's 2008, and time is running out. Kimmelman barely touches upon the widespread trauma and fear that still drives people to hold back information, as more and more survivors die taking this data with them.
Perversely grandchildren are accused of "trying to fix blame." Would people attack Jews for "trying to fix blame" on Germany and other countries that collaborated? Would people attack blacks in South Africa for "trying to fix blame" how about Argentinians related to the desaparecidos? Why is state terror and genocide OK in Spain but not in other countries? How would Kimmelman feel if his grandfather's remains were buried in an unknown mass grave, if his family had been forced into exile, if his family had lost everything and starved, if his grandfather or father or mother had been jailed for decades, if he was forced to go around to archive after archive seeking answers, knowing there were none, because his grandfather, who knew the full story, took it to his grave. How would Kimmelman feel if his sister had severe osteroporosis or some other disease caused by being starved after the war because his family had supported the legitimate government against the coup?
The characterization of Franco and the dictatorship betrays an extreme revisionism which again shows Kimmelman's hand. If you read the below, you will see Franco depicted as really just an anti-Communist Catholic and of course the Valley of the Fallen was designed to further reconciliation. Yet Kimmelman himself admits that Franco threw the remains of unidentified Republicans murdered by his own state terror apparatus mingling them with those of his supporters. And Republican political prisoners built the pharaonic monument to his dictatorship. That is exemplary Catholic behavior. The behavior of the allegedly moderate and acceptable dictator that Kimmelman clearly believes Franco to have been. But that is typical of many in this country, dictators are OK as long as they can keep unruly people abroad at bay and as long as their repression allows for foreign and economic policies in consonance with US interests.
Finally, though I could go on at far more length, I am offended by the extreme condescension and again, moral equivalence drawn between both sides at the conclusion, when Kimmelman compares the current state of affairs to the situation with a bickering married couple. Neither side wants to say anything that will hurt the other. So trivial must genocide, dictatorship and injustice appear to Kimmelman.
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ABROAD
In Spain, a Monumental Silence
By MICHAEL KIMMELMAN
Published: January 13, 2008
MADRID
LAST month Spain passed a law that doesn’t make much sense, on its face, but says quite a lot about Europe in the new century.
The Parliament, fulfilling a campaign promise from 2004 by Prime Minister José Luis Rodríguez Zapatero, ordered that families wanting to unearth bodies of relatives killed during the Spanish Civil War of the late 1930s or who suffered as a political consequence of General Francisco Franco’s four-decade-long regime should get full cooperation from the state, and at the same time that every province in the country must remove remaining monuments to Franco.
Unearth the past — and erase it. Never mind that over the years most of these monuments have already been carted off, making the law largely toothless and symbolic. Even so, in the debates over it, nobody here has talked much about the inherent contradiction.
Or is it a contradiction? “A new generation has begun to look at the past,” Santos Juliá, a senior historian of the post-Franco years, explained to me one recent morning. “They’re the grandchildren of the civil war. My generation wanted to discuss what happened without a sense of culpability. The grandchildren look on the same years of reconciliation as an unending concession, and it is time to fix blame.”
Survivors build monuments to remember the dead, and tear down the statues of the tyrants who killed them, but mostly in vain. Statues and memorials inscribe history, which each generation rewrites to suit itself. In Budapest statues of Communist idols have been relocated to a park on the city outskirts to become virtual headstones at a kind of kitsch graveyard. Russia, in its dash to prosperity, remains conspicuously reluctant to rehash the past, but it also removed many signs of Soviet rule.
And of course nobody has scrutinized public symbols and spaces more than the Germans, for whom nearly every stone and street sign has provoked a fresh monument. The meeting room for the German foreign minister in Berlin is an example of the extent to which the Germans have gone even in private. Originally the office for the head of the Nazi state bank, then taken over by Erich Honecker, the East German leader, who met in it with his Politburo, the room was left nearly intact after the Wall fell when the Foreign Ministry moved in, so that on where paintings of Marx and Engels once hung behind Honecker’s chair, faded rectangles were left as cautionary reminders.
Spain is different, though, having endured a civil war. With their traditional fear of deep, dark demons in their soul, Spaniards after Franco’s death and during the transition to democracy entered into what has long been called here a pact of silence, which the new law clearly aims to undo. As the historian Hugh Trevor-Roper put it 40 years ago, about a different regime, “A single personal despot can prolong obsolete ideas beyond their natural term, but the change of generations must ultimately carry them away.” You might say that in Spain’s case the change now comes a generation late.
I recently drove the 45 minutes to revisit Santa Cruz del Valle de los Caídos, the Valley of the Fallen, Franco’s most megalomaniacal monument. The highway passed by bulls, those reared for bullfights, grazing in green fields, then abruptly rose into snow and gloom. During the 1950s thousands of prison laborers tunneled hundreds of yards into a solid granite mountain ridge to build one of the world’s biggest and most lugubrious basilicas and a Civil War memorial, beneath a cross nearly 50 stories high.
The site expressed Franco’s desire for national atonement. His rule, as Raymond Carr, a Franco historian, once wrote, was not really a victory of the Falange, the Spanish version of fascism, “but of Catholic, conservative Spain over the liberal Spain of the Second Republic.” And Franco, on his crusade to save Christian civilization, modeling himself after monarchs like Philip II, intended to echo the monastic austerity of Philip’s nearby Escorial.
The architecture brings Albert Speer more to mind. The remains of murdered Republicans were unearthed from mass graves and trucked to the valley to be mixed with dead Nationalists, so it could be designated a place for all civil war victims. Even today most Spaniards aren’t aware that Republicans are buried there along with Franco and the founder of the Falange Party, Franco’s onetime rival, José Antonio Primo de Rivera.
The site culminates at the high altar with the graves of those two men, a fresh bouquet of flowers laid on each tombstone. Four hundred thousand people a year are still said to visit the place, although it was nearly deserted the other afternoon. A young Spanish family meandered glumly through the cold and silence, gazing up at the glowering statues of soldiers and saints. On the slushy plaza outside, the view toward Madrid and the giant cross disappeared behind black clouds.
“The idea that Spaniards have actually been unable to talk about the past is rubbish,” Charles Powell, a historian, said, citing many books, movies and television programs about the civil war. But public declarations are one thing, he elaborated. In many villages where neighbors betrayed one another, and even husbands and wives don’t easily talk about the war, a common policy is still don’t ask, don’t tell.
Long before the law was passed, nearly all Franco monuments were removed under socialist and conservative governments. But it was done quietly, without a public airing of the issues, as if the democracy were too fragile to bear the conversation, some say, although probably because Spaniards who had lived through the last Franco years had simply come to the conclusion that it was best and so wished to move on. This, however, still left a gap.
Even today you must comb through an English translation of a glossy guidebook to the Valle de los Caídos to find a passing remark about the prison laborers. In Madrid an avenue is still named Caudillo, after Franco, and another is named after the division of soldiers Franco sent to aid the Nazis. In Santander, although soon to be replaced by a parking garage on orders of the conservative local government, there’s a statue of Franco on horseback that can bring to mind the statues of Jefferson Davis and Stonewall Jackson in American Southern towns where mayors and police chiefs are now often black.
Beatriz Rodríguez-Salmones, 63, who handles cultural affairs for the conservative Popular Party in Parliament, is exasperated by the new law. Digging up graves is any family’s right, she said, although she pointed out that the relatives of the poet Federico García Lorca do not want to disturb the grave where his corpse was dumped along with the bodies of bullfighters and banderilleros because it would demean the nature of his death. What happens now, she asked, when the banderilleros’ descendants want to dig the grave?
“But monuments have nothing to do with graves,” she went on. “Probably 90 percent of the Franco monuments are already gone. We’ve had amnesties. We’ve recognized the rights of exiles. We compensated professors who lost their jobs. We changed streets names, the flag, always trying not to hurt one another.” She said Mr. Zapatero is making an issue of monuments to appease parliamentary allies: “Separatists, Republicans, radicals.” He needs their votes, she added, “and the votes from the Catalan and Basque regions — from those who look for confrontation.”
She has a point. Now watered down from when it was called a law of “historical memory,” as if such a thing could have ever been legislated, the law excludes objects of religious and artistic significance (the determination of art being left notably unclear). Not even at the Valle de los Caídos will anything likely happen except that political rallies have been banned, a provision intended to thwart the annual tributes on Nov. 20, the anniversary, as it happens, of both Franco and Primo de Rivera’s deaths. But nobody seems to know whether this can be enforced.
Over dinner Santiago Saavedra, a publisher who came of age during Franco’s later decades, winced when the subject of the new law surfaced. He saw it as an attack on his generation. “We are made to feel guilty for having led our lives,” he said.
Mr. Powell, the historian, nodded when I relayed that remark. “National reconciliation really took place during the 1960s and ’70s, when Franco was still in power, through a natural process, not by government edict, but because of a collective feeling that the war had been horrible and that Spain had to move on,” he said. The civil war was hardly debated in Parliament, he pointed out, until the election of a conservative prime minister from the Popular Party, José María Aznar, in 1996, which ended years of Socialist rule. “That came as a shock to the left,” Mr. Powell said. “Aznar had ties to Franco’s past. His grandfather was an ambassador to Cuba under Franco. So an easy way for the Socialists to question the Popular Party’s authority was to demand that the party disown Franco.”
Across Europe, as the political center has widened, both left and right have scrambled to differentiate themselves from each other. Little actually separates Prime Minister Zapatero’s economic policies from those of Mr. Aznar. But whereas Mr. Aznar’s grandfather was Franco’s ambassador, Mr. Zapatero’s grandfather was a Republican killed in the war.
Mr. Zapatero’s conservative critics say he is using identity politics, akin to the moral values debate in America, to promote a social agenda that includes defending the rights of homosexuals, transsexuals, women and Catalans. The new monuments law adds another group to that list: dead Republicans, the civil war’s losers. But to the liberals of Mr. Zapatero’s generation it still doesn’t go nearly far enough.
“What Spaniards did in the 1960s and ’70s was look in a different direction,” said Paloma Aguilar, one of these grandchildren of the war, a 42-year-old political scientist who has written a book on historical memory. I mentioned the publisher, and she backtracked slightly. “O.K., yes, it’s a bit unfair to criticize our parents’ generation. It’s also true that most people even today don’t complain about the monuments because they’re used to living with them. Our parents’ generation still has some fear of confrontation because they think democracy is still fragile. But I grew up under democracy. Seventy years after the civil war we cannot allow these monuments that perpetuate discrimination against the victims.”
I sensed she felt that many Spaniards who had forged the transition to democracy and the peace it entailed didn’t know what was best for them, reminding me of a remark by Mr. Powell. He described a “new nostalgia” for Republicanism. It implied a moral superiority not just to Franco but also to the current political system. Then again, Ms. Aguilar and others of her generation clearly realize that this is the last moment to fight over monuments and graves before victims’ relatives die (many of their own relatives) and the dictatorship and its legacy pass from living memory. Impatience is expedient.
I made a last stop at the apartment of Blas Piñar. A couple of years back, on the prime minister’s orders, a statue of Franco was spirited away in the middle of the night from a plaza in Madrid. Mr. Piñar and others protested. At 89, founder of the ultra-rightist Fuerza Nueva, which even Franco found too reactionary, he greeted me eager to launch headlong into a kind of stump speech for the old dictatorship, pausing, from time to time, to gasp through a tracheotomy tube.
His complaint about the transition, unlike that of the new generation of leftists, was that it was a political wolf in sheep’s clothing. “A trick,” he called it, “billed as reform but in fact a rupture, which changed the most fundamental elements of society: protection of the family, moral and religious values, the unity of Spain.”
Now even the monuments are being removed, “the final blow,” as he put it: “The law of historical memory is anti-historical because it tries to erase the memory of Franco, and all the good that he did for Spain.” Prohibiting Francoists from gathering at the Valle de los Caídos will not change anything, he warned. “The place has always had a particular significance. You can never separate Franco from it.”
I hated to agree with anything he said. But legislating monuments doesn’t rectify injustices of the past, it just fumbles with the symbols of history, reminding us why we devise them in the first place. Ultimately monuments gain meaning when we imbue them with it, otherwise they join the statues of cruel monarchs and bloody generals that have become the civilized backdrop to our parks and plazas.
You might say Spain’s situation after Franco’s death was not unlike a marriage: each side holding in reserve those remarks that would do the other side most harm. Silence created a bond. It’s golden, as the saying goes; statues and plaques are just metal and stone. That said, the new law, forged by the children of this silence, paradoxically injects these rusting symbols with fresh significance for a new century.
http://www.nytimes.com/2008/01/13/arts/design/13kimm.html?ex=1357966800&en=59359ccfad1815c4&ei=5124&partner=permalink&exprod=permalink
